The Norwegian artist Hendrik Christian Andersen lived in Rome from 1896 until his death in 1940. In the 1920s he built Villa Helene, his neo-renaissance home on Via P. Stanislao Mancini near Piazzale Flaminio. He bequeathed the building to Italy in his will and it is now a part of a group of public museums.
Behind its rose-pink façade are warehouse-like halls brimming with the artist’s over-sized plaster and bronze sculptures. Visitors walk under giant leaping stallions, muscular naked athletes and winged angels in a bizarre mix of classical and kitsch.
In addition to the 200 sculptures, there is a significant collection of the artist’s paintings and graphic works, including his grandiose designs for the art-filled World City, a utopian world capital which he described as “a fountain of overflowing knowledge to be fed by the whole world of human endeavour in art, science, religion, commerce, industry and law”. Its concept was rejected as “preposterous” and “delirious” by Henry James, the American writer and close friend of the young Norwegian.
Christian Andersen’s project was never realised but its plans remain, and his ornate marble tomb can be found in the city’s Non-Catholic cemetery in the S. Paolo-Ostiense district.
The museum can be visited, for free, Tues-Sun 09.30-19.30. For more details see website.