Acorn High H1 - 1920 x 116
Acorn High H1 - 1920 x 116
Acorn High H1 - 1920 x 116
Orchestra dell’Accademia Nazionale di Santa Cecilia
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In So Blue, choreography by Louise Lecavalier. This astounding Canadian choreographer and dancer is known by many as the muse of Edouard Lock, the iconoclastic choreographer and director of La La La Human Steps company....
In Carmina Burana, choreography by Mauricio Wainrot. The five-part ballet is set to the iconic score of the same name by composer Carl Orff and features the full company in a powerful and visually-stunning theatrical pro...
Castelli H2 - 724 x 450
In Mille et une nuits, choreography by Angelin Preljocaj. The provocative choreographer’s brand new creation draws inspiration from the inexhaustible imagery of the popular Arabic tales of Persian and Indian origin...
In Watching Others, choreography by Edward Clug, music by Milko Lazar. As the director of Slovenia's Ballet Maribor, Clug has proven to be an inventive force at the forefront of contemporary dance. Since 2003 Clug h...
In Firefly, choreography by Anthony Heinl. Evolution Dance Theater was founded in 2008 by the former Momix dancer and choreographer Anthony Heinl. The company combines dance and acrobatics with sophisticated technology,...
Balletto del Teatro alla Scala in Giselle, choreography by Coralli/Perrot. With Svetlana Zacharova and Roberto Bolle. First performed in 1841, Giselle is the archetypal classical ballet. Jean Coralli and Jules Perrot&rsq...
In a mixed programme known simply as “Ailey II”, this is the youthful second company of the Alvin Ailey Dance Theatre. It is renowned for merging the spirit and energy of best young dance talent with the pass...
In The Talent 2013, new creations for 10 dancers with choreographies by Russel Maliphant and Liam Scarlett. This latest double bill by William Trevitt and Michael Nunn’s BalletBoyz shows off ten strong and charisma...
La Sylphide, for Maggiodanza choreography by Auguste Bournonville. When the first version of La Sylphide premiered in Paris in 1832, its audiences were spellbound by its special effects, by the strange, ghostly sprites t...
In V4: The Seasons/White Space, choreography by H. Oguike. Oguike has a Welsh mother and a Nigerian father and was born in Swansea. He was 18 months old when the family moved to Nigeria. His mother soon returned to Wales...
Orchestra dell’Accademia Nazionale di Santa Cecilia
Orchestra dell’Accademia Nazionale di Santa Cecilia
Orchestra dell’Accademia Nazionale di Santa Cecilia
Acorn P H3 - 320 x 480
In Don Quixote, choreography by Petipa/Gorgsky. With guest artist Svetlana Zacharova. Originally choreographed by Marius Petipa to the music of Ludwig Minkus, Don Quixote was first presented by the Ballet of the Imperial...
In Fade/Nothing for body, choreography by Howool Baek, a Korean young choreographer based in Berlin. She was a hiphop dancer when she was a teenager and then moved on to contemporary dance. Her first choreography, I want...
In DV Deserter, Elliptical Capture, Frozen Angels and Grim Eye. Choreography by M. Causey, S. Gavin Hering, A.A. Shelley. Infinite Movement Ever Evolving is a contemporary dance company which was co-founded in 2009 by da...
In Drugs Kept Me Alive, choreography by Jan Fabre. This provocative work is described as a monologue that explores the existence of a man who is addicted to the full-on chemical high of living his life on pharmaceuticals...
21-26 Feb. In Short Time Two: platform of new dance. This initiative is a showcase for young choreographers who have been offered the extraordinary chance to show their work by creating a short work for the Florentine...
15-16 Feb. In Moving with Pina. For many years, Cristiana Morganti was one of Pina Bausch’s dancers at the legendary Wuppertal Dance Theatre. Since Bausch’s death in 2009, she has been touring the world wi...
9 Feb.  In Ce que j’appelle l’oubli, choreography by Angelin Preljocaj. Preljocaj’s latest work is drawn from a book of the same name by Laurent Mauvignier. It is a fictionalised account of a re...
Smiling H5 - 1400x 360